
WALLACE STEGNER AT 100: A GUIDE TO STEGNER’S UTAH WRITING
F I C T I O N :
The Big Rock Candy Mountain (1943)
Stegner’s first big autobiographical novel. In creating the “Masons,” he retells the Stegners’ own
frontier life of homesteading on the prairie and looking for wealth in the next boomtown—with the
core of the book recreating Stegner’s own adolescence in Salt Lake City in the 1920s.
Joe Hill: A Biographical Novel (original title: The Preacher And the Slave) (1950)
The “Wobbly” labor organizer Joe Hill was working in a Park City mine in 1914 when framed for
murder in Salt Lake City. He was executed (most say martyred) in 1915, and became a symbol of
the American worker’s fight against power. Stegner tells the story of the man and the myth.
Angle of Repose (1971)
Stegner won the Pulitzer Prize for this novel about a writer/artist and her mining engineer husband
roaming the West in the late 1800s. Their lives bring the West into the modern world. No Utah
locations, but their experiences mirror the stories of Park City, Eureka, and other frontier outposts.
Recapitulation (1979)
Bruce Mason, Stegner’s alter-ego in The Big Rock Candy Mountain, returns to Salt Lake City in his
sixties. He vividly remembers his Bohemian youth, weekend romance at Saltair, a wedding in San
Pete, the canyons of Capitol Reef… This is the great Salt Lake City novel.
Collected Stories of Wallace Stegner (1990)
Just three stories (“The Blue-Winged Teal,” “Maiden in the Tower,” and “The Volunteer”) use Utah
settings, but the homestead stories capture similar experiences from frontier Utah childhoods.
Stegner’s novels grew from these vignettes.
N O N F I C T I O N :
Mormon Country (1942)
Stegner’s lively ode to his home territory—and a popular history of the LDS colonization of Utah.
Plenty of character studies, including Earl Douglass at Dinosaur, Everett Ruess, Marie Ogden and
the Home of Truth, and Butch Cassidy. His tone is more nostalgia and reminiscence than history.
One Nation (1945)
Stegner’s visionary look at race relations at the end of World War II. Short essays on American
Indians, Hispanics, African-Americans, Asian-Americans, Jews, and Catholics.
Beyond the Hundredth Meridian: John Wesley Powell and the Second Opening of
the West (1954)
Stegner’s life of Powell is also the biography of the Colorado Plateau as a place and concept.
There is no better introduction to the land and natural history of southern Utah.
Wolf Willow: A History, a Story, and a Memory of the Last Plains Frontier (1955)
Stegner’s memoir of his Saskatchewan homestead. Vivid stories about isolated ranches, small
towns, and challenging weather—all a mirror of pioneer Utah.
This Is Dinosaur: Echo Park Country And Its Magic Rivers (1955)
Stegner edited this first Sierra Club “battle book,” using natural history essays and photography to
fight dams proposed within Dinosaur National Monument.
The Gathering of Zion: The Story of the Mormon Trail (1964)
Though non-Mormon, Stegner’s sympathy for the ordeal of the Mormon migration, his wide view
as a cultural historian, and his gift for storytelling make this far more than a narrow work of history.
The Sound of Mountain Water (1969)
A collection of essays with plenty of history and geography. Includes “Wilderness Letter,” and
essays about Glen Canyon, Navajo rodeos, and growing up in Salt Lake City. Stegner also writes
about western values in “Born A Square” and western writers, including DeVoto.
Discovery! The Search for Arabian Oil (1971)
Written as a “work-for-hire” for the oil company, Aramco, this yarn of exploring for oil in Arabian
deserts parallels the oil development ramping up on the public lands of Utah. (The Stegner family
dislikes the edition currently in print).
American Places (1985)
A collaboration with his son, Page, and the photographer, Eliot Porter, in celebration of the U.S.
bicentennial. Stegner devotes full essays to the Utah High Plateaus and Great Salt Lake.
The Uneasy Chair: A Biography of Bernard DeVoto (1989)
Stegner’s friend and mentor, Bernard DeVoto, grew up in Ogden and wrote brilliant histories of the
West. In this biography, Stegner comes to grips with his iconic friend and their parallel roots in the
Utah landscape.
Where the Bluebird Sings to the Lemonade Springs (1992)
The last collection of essays published in his lifetime, this includes Stegner’s letter of apology to his
mother, “much too late,” and the essential essays that sum up his philosophy of living in arid lands
(originally published as The American West as Living Space.)
Marking the Sparrow’s Fall: The Making of the American West (1998; Page Stegner, ed.)
Stegner’s son, Page, made these selections, including “Wilderness Letter,” the classic short story
about cowboys coping with a devastating winter storm, “Genesis;” and essays about Salt Lake
City, Saltair, Lake Powell, the San Juan River, and several wonderful statements of Stegner’s
synthesis of the American West.
B I O G R A P H Y & B A C K G R O U N D :
Conversations With Wallace Stegner on Western History and Literature (1983)
Stegner called these conversations with Richard Etulain the closest he came to autobiography.
Wallace Stegner: His Life and Work by Jackson Benson (1996)
Especially good on analysis and background of Stegner’s writing.
The Selected Letters of Wallace Stegner (2007; Page Stegner, ed.)
The letters span Stegner’s life and work and breadth of interests. Informal and intimate. Utah
sprinkled throughout.
Wallace Stegner and the American West by Phillip Fradkin (2008)
Goes beyond standard literary analysis to place Stegner in context in the history of conservation in
20th Century America.
Send your responses to Stegner to Steve Trimble at:
Stephen Trimble
779 4t h Avenue
Sal t Lake City, UT 84 103
801-364-3031 (home office)
801-364-1015 (fax)
801-585-9120 (Tanner Center)
Steve’s website: www.stephentrimble.net
Read about yourselves in Steve’s Stegner Fellowship blog: www.stegner100.com
thanks!
Wallace Stegner Centennial Fellow,
Tanner Humanities Center, University of Utah